Calypso I

Calypso I is inspired by some old decorative wood printing types. Instead of copy-catting their forms, it rather reinterprets how Tuscan style decoration can fit in the realm of a sturdy Slab Serif typeface. This contemporary display font that can be applied, for example, to drop caps and headlines for extra attention.

Calypso I preview
Calypso I preview
»
  • Calypso I Heavy 50,00 € Add Cart In Cart Add Rem.

    Calypso I Heavy Basic Character Set

    ABCDEFGHIJKLMNOPQRSTUVWXYZ

    abcdefghijklmnopqrstuvxyz

    0123456789%$£/(+=).,!?&

    AS WE STEP OUT INTO the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. "I know that it's... unsafe." The evening is chilly and dark, and Bundick seems unfazed when we eventually settle on the front stoop of a residential building." As we step out into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. The vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. "I know that it's... unsafe." The evening is chilly and dark, and Bundick seems unfazed when we eventually settle on the front stoop of a residential building." As we step out into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. As we step into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. "I know that it's... unsafe." The evening is chilly and dark, and Bundick seems unfazed when we eventually settle on the front stoop of a residential building." As we step out into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. The vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. "I know that it's... unsafe." The evening is chilly and dark, and Bundick seems unfazed when we eventually settle on the front stoop of a residential building." As we step out into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he's familiar with the area. "I've been to Bed-Stuy once before," says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice.

    Headline

    Headline

    Headline

    Headline

    Headline
Calypso I Heavy
h
i 200px
i x1.2
x
Automat
Calypso I Heavy
h
i 26px
i x1.4
x
Longer-term influences on the rapid rise of Street Art around 2000 include the move of the now grown-up taggers and style writers (often active since the mid-1980s) to Street Art. They wanted to expand the now well-established and classical Style Writing rules. AS mentioned before Style Writing primarily is meant to be a message to other style writers. Thus, the public usually perceives them as pure vandalism. Street Art, however, also has aesthetic-artistic value even for many non-style writers, because the largely image-based works speak to a general public.
Calypso I Heavy
h
i 42px
i x1.2
x
Already 50 positions filled from the original 60 during March
Calypso I Heavy
h
i 42px
i x1.2
x
All you need to do is pick up the pen and begin
Calypso I Heavy
h
i 42px
i x1.2
x
Jaco played all the instruments on the recording, which he sent to John Coltrane’s widow
Calypso I Heavy
h
i 16px
i x1.4
x
AS WE STEP OUT INTO the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he’s familiar with the area. “I’ve been to Bed-Stuy once before,” says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice. “I know that it’s... unsafe.” The evening is chilly and dark, and Bundick seems unfazed when we eventually settle on the front stoop of a residential building. As we step out into the vaguely run-down neighborhood in search of a less distracting space to chat, I ask Bundick if he’s familiar with the area. “I’ve been to Bed-Stuy once before,” says the South Carolina native casually, surveying a street corner in between bites of his now-cooled slice.
Calypso I Heavy
h
i 16px
i x1.4
x
You might say ideals should beat pragmatism-- but all the ideals of “perfect pop” we have started out as hopes and hustles. The 60s girl groups and janglers that indie pop drew on were going for effectiveness, and it happened that beauty worked. The appeal of pop, for me, is that its definition of effective keeps changing-- yes, conservatism brings return, but so does novelty. The constant dance of “what's great” and “what works” is what keeps me a pop fan: It’s as close as art comes to sport.
Calypso I Heavy
h
i 16px
i x1.4
x
Club cultures were a way out of the dilemma—a shortcut to the future, as its enthusiasts tended to believe. While the traditional “alternative” cultures expressed their relation to authority in negative terms, club cultures adopted a rhetoric that endowed their followers with a sense of agency and ownership of their prospects. With the use of an empowering, entrepreneurial language, this new spirit was instilled and a new set of attitudes was embodied. At the core of this shift was a radical moment of rethinking the position of the subcultur-alist vis-a-vis authority, which was no longer seen, in the pre-Foucauldian manner, as an external obstacle to the freedom of self-expression.
Calypso I Heavy
h
i 250px
i x1
x
8
Calypso I Heavy
h
i 250px
i x1
x
0
Calypso I Heavy
h
i 250px
i x1
x
1
Calypso I Heavy
h
i 250px
i x1
x
3
Calypso I Heavy
h
i 16px
i x1.4
x
I’ve always taken the word “pop” as its literal translation-- it’s accessible, and that’s why it’s popular. For a while, the attitude was “radio sucks,” but pop isn’t shunned anymore. There’s a lot of things that are pop-influenced, but I wouldn’t call them pop-- I know Grizzly Bear call themselves pop, but they’re more psychedelic folk-based with pop influences. A lot of my previous material was referencing more obscure artists, but this one was an experiment to see what would happen if I made a really poppy album. I already know I’m not going to make an album like this again.
Calypso I Heavy
h
i 16px
i x1.4
x
Another reason for the switch of many Style Writing Graffiti acteurs to Street Art lies in the fact that these individuals had, due to their Style Writing, trouble with the police, particularly because of the afore-mentioned severity of the legal situation. Unlike Style Writing Graffiti, Street Art is not tied to the spray can; penalties for posters and stickers are often much lower, since they can be removed quickly. Also, the likelihood of being caught in Street Art decreases, as attaching a prepared stencil is much faster than spraying a detailed piece freehand. Anyone who wants to make a name or logo known can achieve this with Street Art much more economically and quickly.

Buy font packages and save

Payment options

Users also bought

Language Support

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chichewa, Chewa, Nyanja, Chiga, Congo Swahili, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Galician, Ganda, Ganda, German, Gusii, Haitian, Haitian Creole, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Interlingue, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Greenlandic, Kalenjin, Kamba, Karelian, Kikuyu, Gikuyu, Kinyarwanda, Kirundi, Kongo, Kwanyama, Kuanyama, Latin, Latvian, Limburgish, Limburgan, Limburger, Lithuanian, Luba-Katanga, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Māori, Meru, Morisyen, Nauruan, Navajo, Navaho, Ndonga, Northern Ndebele, Northern Sami, Norwegian, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Gaelic, Sena, Shambala, Shona, Slovak, Slovene, Soga, Somali, Sotho, Southern Ndebele, Southern Sotho, Spanish, Swahili, Swedish, Swiss German, Tahitian, Taita, Teso, Tonga (Tonga Islands), Tsonga, Tswana, Turkish, Turkmen, Volapük, Vunjo, Walloon, Welsh, Western Frisian, Xhosa, Zulu

smcpSmall Caps
ss01Stylistic Set 1
ss02Stylistic Set 2
ligaStandard Ligatures
dligDiscretionary Ligatures
loclLocalized Forms
caseCase Sensitive Forms
pnumProportional Figures
onumOldstyle Figures
tnumTabular Figures
fracFractions
supsSuperscript
numrNumerators
dnomDenominators
sinfScientific Inferiors
zeroSlashed Zero
5 dl (2 cups + 2 tbsp) lukewarm whole milk
50 g fresh yeast (or alternatively 16 g / 1 tbsp + 2 tsp dry yeast)
180 g (2 dl; 3/4 cup + 2 tbsp) granulated sugar
1 1/2 tsp fine sea salt
1 tbsp + 1 tsp ground cardamom (preferably freshly ground)
1 egg (1–2 more for egg wash)
1 kg (15 dl; 6 1/2 cups) bread flour
170 g (1 1/2 sticks) unsalted butter, at room temperature
©2021 Typolar Ltd. All Rights Reserved.
Typolar holds rights to all material at this website
unless stated otherwise.
Logotypes are property of their respected owners.